Jul 21, 2010 Welcome to the curly, shaggy, gleaming, streaming, wonderful world of HAIR.
New York and Broadway come to this year’s Latitude with a 30 minute excerpt of the American Tribal Love-Rock Musical HAIR, featuring the 2009 Tony-Award winning cast direct from Broadway.
A celebration of life, love and freedom, and a passionate cry for hope and change.
HAIR features some of the greatest songs ever written for the stage, including ‘Let The Sun Shine In’, ‘I Got Life’, ‘Hair’ and ‘Aquarius’.
HAIR is about a group of young New Yorkers in the 60’s struggling to balance their lives and loves, rejecting their lifestyles of their conservative parents, rebelling against the looming draft.
Infectious, outlandish and exuberant, HAIR has gained iconic status since erupting onto the stage in 1967, responsible for many era defining songs that have become part of the twentieth century pop landscape. And as critics and audiences have discovered, the messages of HAIR are as relevant today as they have ever been.
This fantastic production returns to London at the Gielgud Theatre from 1st April 2010, and Latitude is thrilled to have this amazing piece of musical theatre at The Waterfront Stage.
Check out the video here that Hair the Musical made whilst at Latitude
Jul 20, 2010 Latitude Festival is proud to reveal that the winner of the first Latitude Contemporary Art Award is Graeme Miller for his visually stunning Moth Theatre installation which was announced at the ceremony on Saturday 17th July at 4pm in the Lavish Lounge, in the beautiful setting of Henham Park Estate on Suffolk’s Sunrise Coast.
Miller received the prize of £10,000 after the LCA judges – Founder and Creator of Latitude Festival and Managing Director of Festival Republic Melvin Benn, broadcaster, journalist and Radio 4's World At One presenter Martha Kearney and Young British Artist Gavin Turk – took an onsite tour of the exhibits of all participating artists.
The piece, which can only be seen at night, is “theatre for moths, by moths.” It uses video feedback triggering monochrome pattern from the shadows of insects, which are drawn to the bright lights within the installation at dusk.
Miller said: “By night the moths are drawn from the woods by the bright lights of a miniature theatre whose stage is saturated with the irresistible pleasure of ultra-violet illumination. They settle to bask in the limelight of a white screen – drawn to a kind of shared stardom of silhouetted insects. In this world the human observer is a guest. What they are drawn to is the intense bluish radiance and in the quiet auditorium of the trees they can eavesdrop on this unwitting performance.”
Graeme Miller is a London-based theatre maker, performer, composer and artist. On winning the prize, Miller was overjoyed and commented how he would now begin the process of creating his installation piece for Latitude 2011.
Melvin Benn has always intended contemporary art to be an integral part of Latitude Festival. Speaking on Saturday he said:
“It was always my intention that contemporary art would be a key element of the programme at Latitude and that art would be given the same platform as the music, theatre, literature and poetry. We have always had spectacular works displayed throughout the site and In The Woods and this year, working with the team involved in the LCA, has given me the confidence to take art at Latitude to a new level. I’m really thrilled Graeme Miller’s installation was chosen as the winner and I look forward to seeing what his next piece will be for Latitude 2011.”
The LCA comprises Melvin Benn, Independent arts writer Louise Gray, Tate Modern curator Ben Borthwick, curator/deputy editor of ‘The Wire’ Anne Hilde-Neset and Managing Director of Lavish Ami Jade Cadillac.
Jul 19, 2010 At midnight, on three consecutive nights, Kitson’s rampant humour blended with Osborn’s whimsical ballads create three stories (connected like the original Star Wars Trilogy but with a sweary Last of the Summer Wine vibe) telling sad, hilarious, but ultimately heart-warming tales of assassins, car chases, and administrative bodies.
If there was ever any doubt over the amount of the love these fellows were going to get at Latitude, at the start of every night the pair first had to greet the huge audience in front of The Waterfront Stage, then those on the near-by bridge, and finally the crowd behind them gathered on the other side of the river.
“I don’t think I’ve ever done a gig next to a giant luminous sheep hovering in the sky” said Osborn referring to Latitude’s magnificent holographic water illuminations. They may not be used to performing in these strange festival surroundings, but next to a shimmering river and under a blanket of stars it was pretty bloody wonderful from where we we’re sitting.
Owain Peace
Jul 21, 2010 Hair the Musical
Jul 20, 2010 Latitude announces the LCA Award Winner for 2010
Jul 19, 2010 Daniel Kitson & Gavin Osborn: Stories for the Starlit Sky ~ The Waterfront Stage